Little Black Dress Biography
Source(google.com.pk)
Every girl needs the perfect little black dress in her closet. Whether you are going to a semi formal, black tie event, or just on a hot date, a black cocktail dress is always the right choice. We have a great selection of dresses in black in every length. Sexy black mini dresses and knee length bridesmaid dresses.
Fashion designer Coco Chanel, born August 19, 1883, in Saumur, France, is famous for her timeless designs, trademark suits, and little black dresses. Chanel was raised in an orphanage and taught to sew. She had a brief career as a singer before opening her first clothes shop in 1910. In the 1920s, she launched her first perfume and introduced the Chanel suit and the little black dress.
Black had been worn throughout Victorian times as the color of mourning, but in the 1910s, black made the leap from mourning to fashion. In 1910, British subjects mourned the death of King Edward VII, and the wearing of black became commonplace. Soon afterward World War I began, and with it women needed a simpler, more modern dress, unfortunately, often in black.
But it was in the 1920s that black gained popularity as a fashion color, especially in dresses. From the beginning of the decade black dresses were offered, most commonly for evening. According to many sources, Coco Chanel "invented" the little black dress in 1926, when she introduced a line of black dresses made from wool jersey and silk. But Chanel had been making similar dresses since 1915, and by 1926 many French couturiers were designing dresses in black.
It was Mademoiselle Chanel who coined the phrase "little black dress." In a well-known criticism a rival, Schiaparelli or perhaps, Poiret, Chanel quiped, "Scheherazade is easy, a little black dress is difficult."
Despite prohibition in the US, women were drawn to the little black cocktail dress in the late 20s and early 30s. By then the little black dress was firmly established as a sophisticated style that could move easily from afternoon into evening. This was very much in keeping with the way modern women were living.
Ask any vintage collector or dealer what color was most popular for cocktail or dinner dresses in the 1940s and 50s, and I'm sure the answer will be "black." Black continued its fashion reign through the beginning of the 1960s, when perhaps the most famous little black dresses of them all appeared - the Givenchy designs worn by Audrey Hepburn in Breakfast at Tiffany's.
In the late 1960s and throughout the 1970s, wild color and the pantsuit seemed to have killed the little black dress, but it burst back onto the fashion scene in the 1980s and has been wildly popular ever since. Today a black dress is often considered to be a "safe" choice. At many functions almost every woman will be wearing a little black dress.
So why has the little black dress had such staying power? I could write out an answer, but I'll let fashion writer Mabel D. Erwin do it for me. Her thoughts, circa 1949:
Black is a good city color. We become less tired of it than any other. It can be worn longer without appearing dated. It shows off a beautiful face...It is the perfect background for jewelry and really nice assessories. It may be a litle too mature for college girls but with right lines and accessories it need not be.
Formed in 2005 by veteran Dallas musicians Toby Pipes (who hit the big time in1993 with the Top Ten hit “Breakfast at Tiffany’s” with the band Deep Blue Something) and Nolan Thies, Texas-based indie rock outfit Little Black Dress crafts arena-sized pop songs in the style of classic shoegaze, synth pop, and Brit-pop acts like My Bloody Valentine, Depeche Mode, Catherine Wheel, Cabaret Voltaire, and Swervedriver. Rounded out by guitarists Brent Elrod and Taylor Tatsch, drummer Earl Darling and electric drummer/keyboardist Cooper Heffley, Little Black Dress released its full-length debut, Snow In June, on Exploding Plastic/Idol Records in 2009.
A little black dress is an evening or cocktail dress, cut simply and often quite short. Fashion historians ascribe the origins of the little black dress to the 1920s designs of Coco Chanel and Jean Patou intended to be long-lasting, versatile, affordable, accessible to the widest market possible and in a neutral colour. Its ubiquity is such that it is often simply referred to as the "LBD".
The "little black dress" is considered essential to a complete wardrobe by many women and fashion observers, who believe it a "rule of fashion" that every woman should own a simple, elegant black dress that can be dressed up or down depending on the occasion: for example, worn with a jacket and pumps for daytime business wear or with more ornate jewelry and accessories for evening. Because it is meant to be a staple of the wardrobe for a number of years, the style of the little black dress ideally should be as simple as possible: a short black dress that is too clearly part of a trend would not qualify because it would soon appear dated.
History:
Prior to the 1920s black was often reserved for periods of mourning and considered indecent when worn outside such circumstances, such as depicted in John Singer Sargent's painting, Portrait of Madame X. A widow's mourning dress was closely observed at a time when details in fashion conveyed a sophisticated symbolic language. During the Victorian and Edwardian ages, a widow was expected to wear several stages of mourning dress for at least two years. "Deep" or "full" mourning required the woman to wear plain black clothing with absolutely no decoration for the first year and a day of mourning. The second stage lasted nine months and permitted the wearing of black silk. In "ordinary mourning" for three months, the widow could accessorize only with black ribbon, lace, embroidery, or jet jewelry. The final six months of "half-mourning" allowed the bereaved to wear muted or neutral colors: shades and tints of purple were most common. Because of the number of deaths in World War I, plus the many fatalities during the Spanish flu epidemic, it became more common for women to appear in public wearing black.
In 1926 Gabrielle "Coco" Chanel published a picture of a short, simple black dress in American Vogue. It was calf-length, straight and decorated only by a few diagonal lines. Vogue called it "Chanel's Ford". Like the Model T, the little black dress was simple and accessible for women of all social classes. Vogue also said that the LBD would become "a sort of uniform for all women of taste".
The little black dress continued to be popular through the Great Depression, predominantly through its economy and elegance, albeit with the line lengthened somewhat. Hollywood's influence on fashion in North America helped the little black dress' popularity, but for more practical reasons: as Technicolor films became more common, filmmakers relied on little black dresses because other colors looked distorted on screen and botched the coloring process. During World War II, the style continued in part due to widespread rationing of textiles and in part as a common uniform (accessorized for businesswear) for civilian women entering the workforce.
The rise of Dior's "New Look" in the post-war era and the sexual conservatism of the 1950s returned the little black dress to its roots as a uniform and a symbol of the dangerous woman. Hollywood femme fatales and fallen women characters were portrayed often in black halter-style dresses in contrast to the more conservative dresses of housewives or more wholesome Hollywood stars. Synthetic fibres made popular in the 1940s and 1950s broadened the availability and affordability of many designs.
The generation gap of the 1960s created a dichotomy in the design of the little black dress. The younger "mod" generation preferred, in general, a miniskirt on their versions of the dress and designers catering to the youth culture continued to push the envelope - shortening the skirt even more, creating cutouts or slits in the skirt or bodice of the dress, using sheer fabrics such as netting or tulle. Many other women in the 1960s aspired to simple black sheath dresses similar to that designed by Hubert de Givenchy and worn by actress Audrey Hepburn in the film Breakfast at Tiffany's.
The popularity of casual fabrics, especially knits, for dress and business wear during the 1980s brought the little black dress back into vogue. Coupled with the fitness craze, the new designs incorporated details already popular at the time such as broad shoulders or peplums: later in the decade and into the 1990s, simpler designs in a variety of lengths and fullness were popular. The grunge culture of the 1990s saw the combination of the little black dress with both sandals and combat boots, though the dress itself remained simple in cut and fabric.
The new glamour of the late 1990s led to new variations of the dress but, like the 1950s and the 1970s, colour re-emerged as a factor in fashion and formalwear and repeatedly shows an aversion to black. The resurgence of body conscious clothing, muted colour schemes, and the reemergence of predominant black, along with the retrospective trends of the 1980s in the late 2000s paved way to the return of interest to the dress.
Famous little black dresses:
The black Givenchy dress of Audrey Hepburn as Holly Golightly in Breakfast at Tiffany’s, designed by Hubert de Givenchy, epitomized the standard for wearing little black dresses accessorized with pearls (together called "basic black"), as was frequently seen throughout the early 1960s. The dress set a record in 2006 when it was auctioned for £410,000, six times its original estimate.
Betty Boop, a cartoon character based in part on the 1920s' "It Girl" Clara Bow, was drawn wearing a little black dress in her early films, though with Technicolor later, Betty's dress became red.
Wallis Simpson, Duchess of Windsor, was known to own several little black dresses and said much in praise of the garments. One quote of the Duchess: "When a little black dress is right, there is nothing else to wear in its place." Edith Piaf, the French folk icon, performed in a black sheath dress throughout her career: for this habit she was nicknamed "little black sparrow". It was thought that the dress helped audiences focus more on Piaf's singing and less on her appearance.
In the notorious "Covent Garden incident", a director at London's Covent Garden theatre fired the then-obese soprano Deborah Voigt from an opera because she could not fit into a "little black cocktail dress", replacing her with the slimmer Anne Schwanewilms.
In popular culture:
A number of songs are titled "Little Black Dress", including "Little Black Dress" from the 1981 musical Shock Treatment, which is sung whilst one of the antagonists sews up a little black dress and presents it to the heroine, who wears it in the second half of the film.
The Hollies 1972 Single "Long Cool Woman in a Black Dress" was written for the album Distant Light about a woman who mesmerized the lead singer in a black dress. It sold 2 million copies worldwide and reached #2 on the Billboards Hot 100
Gavin Friday performed a song titled "Little Black Dress" for his 1996 album Shag Tobacco. The song was written by Maurice Seezer.
The 2006 song "Little Black Dress" is the opening song of Donnie Iris's album, Ellwood City. It was written by Mark Avsec.
"Gettin' You Home (The Black Dress Song)" is a 2009 country music song by Chris Young. It became his first #1 hit on the Hot Country Songs chart dated for 24 October 2009.
"Tim McGraw" is the first track from Taylor Swift's eponymous album, released in 2006. In the song, her little black dress symbolizes the happiness of her relationship, and is repeatedly mentioned in the refrain.
"Little Black Dress" is a song by One Direction included in their third album entitled Midnight Memories.
No comments:
Post a Comment