Silk Chiffon Dresses Biography
Source(google.com.pk)
Chiffon, French pronunciation: from the French word for a cloth or rag, is a lightweight, balanced plain-woven sheer fabric woven of alternate S- and Z-twist crepe (high-twist) yarns.[1] The twist in the crepe yarns puckers the fabric slightly in both directions after weaving, giving it some stretch and a slightly rough feel.
Chiffon is made from cotton, silk, or synthetic fibers. Under a magnifying glass it resembles a fine net or mesh which gives chiffon some see-through properties. Chiffon can be dyed to almost any shade, but chiffon made from polyester can be difficult to dye.
When sewing chiffon, many crafters layer tissue paper in between the two pieces being sewn together. The tissue paper helps keep the fabric together, with the rough surface of the tissue holding the chiffon in place while it is handled. After sewing, the tissue paper can be carefully ripped out. Chiffon is also pinnable, as it will spring back, concealing pin marks. As a general rule, sewers are advised to work slowly and steadily with this fabric, taking care not to run it through a sewing machine too quickly lest it bunch and gather.
Chiffon is most commonly used in evening wear, especially as an overlay, for giving an elegant and floating appearance to the gown. It is also a popular fabric used in blouses, ribbons, scarves and lingerie. Like other crêpe fabrics, chiffon can be difficult to work with because of its light and slippery texture. Due to this delicate nature, chiffon must be hand washed very gently. Since chiffon is a light-weight fabric that frays very easily, bound or French seams must be used to stop the fabric from fraying. Chiffon is smoother and more lustrous than the similar fabric georgette.
British designer Alexander McQueen has been hailed for his challenging perceptions of the role of fashion in political, social, and cultural criticism. His collections are often cohesive thematic interpretations, alluding to dramatic media events (the "Highland Rape," a 1996 runway consortium of tattered dresses and bloody catwalkers) as much as aesthetic or artistic movements. Credited alongside peers such as John Galliano with the return of artistry to couture in the 1990s, McQueen is one of the most conceptual fashion créateurs to clothe the runway in the early twenty-first century and continues to be celebrated for his love of tactile exploration and dramatic visual representations.
A number of gowns in Alexander McQueen's "Transitions" collection of spring/summer 2003 appear to be poetic renderings of a disaster at sea. While a similar dress appeared colored like the plumage of a tropical bird, this gown of sand-colored organza recalls the mille-feuille ridging on the surface of a shell. The hem of the skirt, like the wavy lip of a giant mollusk, further emphasizes the seashell quality of the gown. But unlike Aphrodite, who was born in the foam of the sea and borne to shore on a scallop, McQueen's beauty is a bruised pearl encased in a deconstructing oyster, the tumbled survivor of the violent action of waves.
First lady Helen Taft enthusiastically supported the establishment of the first ladies collection. When asked to contribute a dress to the exhibition, she chose the gown she wore to her husband’s 1909 inauguration. Her choice established a precedent for future first ladies and each one since who attended an inaugural ball has donated the gown she wore to that event.
Helen Taft’s 1909 inaugural ball gown is made of white silk chiffon appliquéd with floral embroideries in metallic thread and trimmed with rhinestones and beads. It was made by the Frances Smith Company. The fabric and embroidery have become discolored, and most parts of the skirt were replaced as part of a 1940s conservation effort.
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